THE BOTANICAL WORLD OF MARY DELANY
– A COLLABORATION WITH THE BRITISH MUSEUM
03.10.2026-26.09.2027
Mary Delany
In the 18th century, the British artist Mary Delany (1700-1788) created over 1,000 botanical decoupages, at the age of 72. The ten volumes of collages which are part of the British Museum’s collection is known as the Flora Delanica. Her works combine artistic talent and scientific enquiry as an example of the visual history of botany.
Museum for Papirkunst is collaborating with the British Museum on this exhibition, which is the only venue in Denmark to show Mary Delany's works during the exhibition period. The exhibition presents 50 of Delany's most iconic works in a contemporary setting that highlights her techniques and artistic vision. The spectacular paper works, that are too fragile for public display, are made accessible to the public in the form of stunning large-format photographs.
Through Delany's florilegium, we meet an extraordinary woman at this crucial historical period known as the Enlightenment. Delany's technique is truly unique – she strove to create realistic collages of the plants, and the result is very realistic, even though they are simply made of paper. Delany was able to cut wafer-thin tissue paper by eye – which she sourced in all hues and shades – and only rarely used preparatory drawings to plan her designs. Sometimes using around 200 paper petals per flower. Nearly every collage includes a label with the plant’s Latin and common name.
In the exhibition The Botanical World of Mary Delany, the audience can learn about plants and flowers in the most beautiful way and rediscover the power and richness of nature, which we often take for granted. At over four times the scale of the originals, the high-resolution photographs in this exhibition allow us to explore Mary Delany’s creative process and remarkable skill in a way that is difficult to replicate in real life due to the minute detail and extreme fragility of the collages.
Mary Delany was a well-educated woman with a strong and spirited personality which won her many influential friends. She was a talented artist who cultivated her interest in gardening and botany throughout much of her life, which led to the creation of the impressive collection of decoupages late in life. At the age of 82 when failing eyesight compelled Delany to abandon her art, she had produced no fewer than 985 collages. In 1897, more than one-hundred years after her death, the Flora Delanica albums were bequeathed to the British Museum by Delany’s great-niece, Augusta Hall, Baroness Llanover.
Architect and curator: Tina Midtgaard.
Photo: British Museum
The exhibition is supported by: Ny Carlsbergfondet, Hoffmann og Husmans Fond, Knud Højgaards Fond, Oda og Hans Svenningsens Fond, and The Ministry of Culture Denmark.